The transfer on this Criterion edition remains faithful to Parasite’s theatrical exhibition, boasting sharp detail and vibrant color; the subtle visual and textural delights nestled within Bong Joon-ho’s stark compositions are perfectly preserved throughout. Dario Argento Celebrity Profile - Check out the latest Dario Argento photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Grain levels are well-managed and flesh tones lifelike. Fans of Dario’s films have surely experienced this film already, but if they haven’t, the time is now with CultFilms’ new gorgeous release. The Egyptian programmed it and they had an uncut print. He also added a gory slant to Gaston Lereux's famed "The Phantom of the Opera" (1998). This page works best with JavaScript. This is also more fun to watch then the other two revisions of the movie. One outrageous set piece mordantly mocks the very act of voyeurism, when Betty’s agent, Mira (Daria Nicolodi), is shot through the eye while peering into a peephole.

One of the few great filmmakers not affiliated with the Nazi Party to remain in Germany was Helmut Käutner, whose melodramas shot during WWI, such as Romance in a Minor Key and Under the Bridges, have an emotional sensitivity and fluid camerawork that recalls his compatriot Max Ophüls’s work. Carmody talks about getting the job as producer, casting a lot of local “wannabes” in secondary roles, his hands-on approach, and his later involvement with a number of cult Canadian genre films. The extras are composed mostly of archive material ranging from the 1980s to the early 2000s, including various interviews over the years with actor John Hurt, producer Jonathan Sanger, make-up artist Christopher Tucker, producer Mel Brooks, cinematographer Freddie Francis, and stills photographer Frank Connor. They could've returned at the end and finished the killer off. Unfortunately, it does really seem as there might be a production curse at the Parma Opera House. The best one-stop shop is “The Terrible Elephant Man Revealed,” a 21-minute program that collects most of the aforementioned players all together, with particularly evocative observations from Brooks and Tucker, who’d fashion make-up so striking that it would inspire the Oscars to create a new category. At first glance, St. Luc seems eminently capable, yet oddly diffident to the tender mercies proffered by Nurse Forsythe (Lynn Lowry).

Such a story, of an outcast reconciling with society, sounds opposed to the radical interests that Lynch displayed in Eraserhead and would go on to refine in future projects. This existential quietude comes, at least in part, from his extensive reading. On the review aggregator website Rotten Tomatoes, Opera has an approval rating of 90% based on 20 reviews, with an average rating of 7.02/10. an old stone staircase worn both from long use and long service in dreams as you ascend/descend again and again and again.

96%

His next directorial effort, "Inferno" (1980), was a loose sequel to "Suspiria," dealing with mysterious deaths tied to an ancient witch in New York. A whirling black raven-winged POV bullet through the back of the brain exploding onto the retina in a paroxysm of colour! Appropriately, Pierrot le Fou was supposed to be the tale of a May-December affair, but by the time 32-year-old Jean-Paul Belmondo had been cast in the lead role opposite 25-year-old Anna Karina, the film took on a slightly different aura.

Is it all a ruse? Calm and philosophical restraint go out the window, so to speak. (Spoiler Alert) The film follows, Betty an young opera singer who takes the world by storm after the another opera singer, Mara Cecova got inquired when a car stuck her.

It’s the kind of bold and uncompromising work that confirms why Bong is one of our most exciting auteurs, for how his sociocultural criticisms can be so biting, so pungent, when they’re imbued with such great focus and sense of intent. Shivers is a domestic tragicomedy at heart, charting the dissolution of the marriage between Nicholas (Alan Migicovsky) and Janine (Susan Petrie). Not see anything, not feel…. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Taking place over the course of one year, structured into four chapters tied to the seasons, the film starts bleakly and just gets bleaker, and as it progresses these stylistic decisions start to feel more and more oppressive. When Mara Cecova, the arrogant and ill-tempered star of an avant-garde production of Verdi's Macbeth at the Parma Opera House, is injured after getting hit by a car outside the theater during an argument…. Betty, the understudy, must step in and becomes a sensation. He’s not the kind of guy who will turn heads as he walks by and, aside from a knowingly ridiculous shot where a female agent, Jean (Sue Lloyed), gazes excitedly down at his crotch as he stuffs his gun into his pants, Palmer’s sexual prowess is a non-factor—particularly compared to Sean Connery’s Bond, whose carnal appetites are ever threatening to burst through the surface of his cool demeanor. On his commentary track, German film critic Olaf Möller provides a comprehensive yet accessible analysis of post-WWII cinema in Germany. Raoul Coutard’s ravishing Techniscope cinematography looks livelier than ever. Cast: Michael Caine, Nigel Green, Guy Doleman, Sue Lloyd, Gordon Jackson, Aubrey Richards, Frank Gatliff, Thomas Baptiste, Freda Bamford, Anthony Blackshaw Director: Sidney J. Furie Screenwriter: Bill Canaway, James Doran Distributor: Kino Lorber Running Time: 109 min Rating: NR Year: 1965 Release Date: October 27, 2020 Buy: Video. This isnt a soft little flowery version of the classic- this is the real deal, that would have made Gastron Leroux clapping and saying encore from his grave. The twists in this narrative also activate some of Bong’s more inspired and sociopolitically loaded visual ideas. An earlier scene showed him acquiring a book that, judging from its Spanish title, might well be a copy of Italian poet and novelist Cesare Pavese’s diary The Business of Living. As with all Argentos films, the dialogue and acting is bloody awful! The black-and-white cinematography boasts phenomenal clarity as well as a healthy grain structure—a combination that evokes a modern-era daguerreotype. Given the importance of these restorations, it’s difficult not to be at least a little disappointed with the slim supplements.

He ventured into directing with the horror film "The Bird with the Crystal Plumage" (1970), working from his own script about a woman being stalked by a serial killer. The distribution version is a tad washed out compared to the premiere cut, which, as houses the commentary track included on the disc, is effectively presented as the definitive version. Review: The Glorias Is a Perspective-Shifting Ode of Gloria Steinem’s Life.

In dressing this conflict, and an overwhelming sense of paranoia and entrapment, up in the tropes of a thriller, Käutner exhibits his mastery of atmosphere and mood, but the complex social commentary of Black Gravel offers a raw and eye-opening look at Germany at a time when its cinema mostly ignored reality and its true national history was often deliberately kept secret.

Rome, Lazio, Italy, Italian filmmaker Dario Argento made his mark as a superstar of the popular horror subgenre, giallo. Everytime I watch this movie I cant help but think how luckly that woman was to be his obsession, and it doesnt hurt that the phantom is very hot,purrrrrrrr. Step Two: Pick a Number. It looks and sounds great and it is clear that this release was given the utmost care. The Ipcress File’s narrative also feels a bit at odds with the filmmakers’ intentions. The particular layout of one unexpected setting, which sees members of the lower class literally occupying a space below the rich, doubles as an ingenious metaphor for class subjugation.
Scorsese calls Héctor Babenco’s Pixote another branch on the tree of neorealism, but the likes of Vittorio De Sica and Roberto Rossellini never directed a film with such calculated brutality. Performance & security by Cloudflare, Please complete the security check to access. Dare I say it - there are parts in Opera that almost surpass the technical and artistic brilliance of Suspiria. But because of Käutner’s suspect decision to continue working in his homeland throughout the ‘40s—or, perhaps, his inability to leave—his films received little fanfare outside of Germany, aside from European film festivals. This same pit is also used as the grave for a couple who Robert accidentally kills with his truck later in the film. That's funny!!!!!

The film, released early in the sound era, also employs an expressionist approach that recalls Robert Wiene’s The Cabinet of Dr. Caligari, especially in its use of close-ups. Unlike Argento's other giallos, "Opera" leans a little more towards the theatrical horrors of "Suspiria" and "Inferno" but without so much surreal appeal and supernatural elements. Requiem for a Dream is also the film that firmly established Aronofsky as a primarily visual filmmaker. What sets Opera apart from other Argento films in the 1970s and 1980s was that it had a very cruel streak to it. (And a modern transfer does nothing to dispel the power of the film’s make-up effects.) He returned to giallo with "Deep Red" (1975), before capturing the attention of horror fans around the world with his next effort, "Suspiria" (1977). Opera is this totally unique "slasher" movie where under the backdrop of high European opera you get these wild outlandish and gruesome killing scenes which are already classic 80's horror but with metal riff's over them and I legitimately can't process how it kinda works. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. She feels he is bringing in too much of his crazy horror movie antics to the production. Scratches are evident from time to time, but the damage is relatively minor and typically visible for only a few seconds at a time. Sep 07, 1940, Birthplace: But it’s Ki-woo who pulls his family out of their impoverished life, when he gets an opportunity to tutor Da-hye (Jung Ziso), daughter of the rich Park family.

Narratively, as Requiem for a Dream spirals toward its nightmarish finale, things start to get so melodramatically awful for the characters that the film starts to seem like a modern-day equivalent to Reefer Madness, never so much as in the ugly way it introduces the character of a black drug dealer, Big Tim (Keith David), solely to exploit audience disgust at seeing a white woman taken advantage of by a black man.

Disabling it will result in some disabled or missing features. ", "Depends on what you mean by reality."******. Two monks (Víctor Urruchúa and Carlos Villatoro) offer their recollections of murder and betrayal to an objective listener, and as their shared past is recounted twice, once from the point of view of each man, the comparisons to Akira Kurosawa’s Rashoman are inevitable; the dialogue exchanges between the monks help to articulate how pride and personal vendettas make constructing truthful histories next to impossible.


Sorry, but this reviewer got enough of that in high school. Lynch, who himself has an exploitive streak, exhibits remarkable tact and delicacy in The Elephant Man. Argento’s films always have a touch of the histrionic about them, from an allegedly lethal encounter in an empty theater in The Bird with the Crystal Plumage to the parapsychology conference that opens Deep Red, whose billowing red velvet curtains get a nod here when Betty (Cristina Marsillach) passes through a number of them late at night in the deserted opera house. Reviewed in the United States on July 14, 2008.

She constantly makes questionable choices, like not reporting a murder because she just wanted to forget…, "I'm exactly like my mother" - Betty, going through a mood2 Minutes Later"I'm nothing like my mother!"


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